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The
Trial Lawyer
By David H. Berg
(Editor's
Note: Litigation is published by The Journal of
The Section of Litigation, American Bar Association.
This volume was subtitled "Perspective.")
The
Atlantic is calm today. The beach, rearranged
by a tropical storm, is incredibly wide and white.
Before I cast, I use pliers to clamp down the
barbs on my hook. That makes it harder for me,
but easier for the fish. It also forces me to
be a better fisherman.
So
it is with my practice. Over the years, I have
learned to clamp down the barbs during trial.
Early on, I cross-examined everyone like they
were ax murderers, including old ladies and schoolteachers:
"Exactly what do you mean, you were tending your
roses? And quit fiddling with your oxygen tank."
Now,
I try cases by using my opponent's strength and
my own, more trial by aikido than by judo. The
reason is simple: jurors don't like constant confrontation.
They don't like it in their personal lives, and
they tire of it quickly in a courtroom. Trial
by aikido recognizes that. During voir dire, we
encourage "bad" answers, using them to enlighten
our strikes. During opening, we embrace undisputed
facts, good and bad, arguing only about the rest.
During direct, we all but disappear, trusting
the client to tell the story. During cross, we
welcome even unresponsive answers, turning them
on the witness. During close, we tie it all together.
Let
me be clear. We still have to command the courtroom.
We still have to crush our opponents- especially
if they are tall white men, the sum total of my
personal moral code. We cannot do that with tender
sensibilities. The object of the exercise is still
a very large, very dead fish. But better to do
it sotto voce than bellowing; better to
do it by aikido than by judo.
During
the past 30 years, I have tried cases from the
austere courtrooms of South Texas to the marble-and-mahogany
grandeur of the Eastern District of Virginia.
I still cannot walk into any of them without feeling
grateful for the opportunity; I have been that
lucky. In the 1960s, I defended young people prosecuted
for flag burning or marijuana possession. During
the 1970s, I tried criminal cases, including defending
a woman acquitted of using a chain saw to dismember
her husband, who, I feel confident, had really
irritated her. In the 1980s, I tried white-collar
cases and once, with Morris Dees of the Southern
Poverty Law Center, shut down the Ku Klux Klan's
paramilitary training camp and enjoined them from
harassing Vietnamese fisherman. During the 1990s,
my practice primarily was personal injury and
complex commercial cases, most recently the defense
of a patent-infringement case involving a billion-dollar
line of business.
This
article includes much of what I have learned,
the pure culture of what I know about trying lawsuits.
It was written with the hope of making lawyers,
especially younger ones, less reluctant to go
to trial. It was also written out of the fear
that the great war stories of the next generation
of trial lawyers will sound something like, "And
then, I looked that mediator in the eyes and said
...."
Everyone
knows the vast majority of lawsuits get settled.
Nonetheless, the only way to get better settlements
than other lawyers is to have a track record of
trying cases and getting good verdicts. That means
preparing each case as if it were going to trial,
never clenching a fist without being prepared
to throw it. Besides, word gets out fairly quickly
on lawyers who won't try a lawsuit. Inevitably,
their clients pay more, get less, or go to jail
for longer periods of time. This article is for
them, too-litigators who aren't-with the intention
of encouraging these otherwise talented attorneys
to announce, "Ready for trial." The examples,
sometimes blurred for confidentiality, come from
real trials, focus groups, summary jury trials,
and a lawyer's memories, excluding for reasons
of modesty the juries that leapt from their seats,
cheering and chanting his name. (You don't know-it
could have happened.)
Pretrial
A
trial is a continuum, beginning with the first
meeting with the client and ending only after
the final word is spoken in closing argument.
From the start, experienced trial lawyers size
up Exhibit A, the client, silently asking, "What
will the jury think?" and "How can I help him
become a believable witness?" and" Good Lord.
Is that a pinkie ring?"
Like
good doctors, the best lawyers take detailed histories
about their clients' lives in addition to the
facts of the case. Almost always, we can use that
information during trial. Once, when I had been
in practice less than a year, I listened from
the back bench of a Harris County courtroom as
Richard "Racehorse" Haynes, Houston's fabled criminal
lawyer, conducted voir dire in an attempted murder
case. He represented the heir to a Texas cattle
empire accused of brutally assaulting a neighbor
in a dispute over the borders separating their
ranches and, more important, of saying ugly things
about the defendant's momma. A panelist said she
knew the defendant from church. Without hesitating,
Haynes asked, "Would you then be incapable of
fairness to the prosecution because you are aware
of my client's involvement at First Baptist, teaching
Bible class, taking the scout troop to Mexico,
that sort of thing?" She actually said, "Well,
sir, that's not the only reason I couldn't be
fair. I also know how well he treats his momma,
and I cannot believe a man that kind could hurt
another soul-not without a reason." The trial
was over. Haynes had disclosed the defendant's
church life to a Bible Belt jury, and the panelist
had gone one better. The defendant was acquitted
in an hour, despite having stomped a mud hole
through his neighbor's solar plexus.
I
followed Haynes to trials frequently during those
first years, until I could no longer afford the
luxury of languid afternoons at the courthouse,
his sonorous voice capturing the jury and my imagination.
As I look back, what he did that day-humanizing
his client-is essential to winning any case.
As
plaintiffs, we tell a story. As defendants, we
destroy that story and, if possible, tell a more
plausible one of our own. That is true of any
trial, including criminal cases where we don't
even put on evidence. Our job is to persuade.
Simplifying the story, telling it with absolute
clarity of thought, is the key to convincing jurors
of anything. Only the journeyman consoles himself
that the jurors didn't understand his case. If
they didn't get it, he didn't explain it.
Drafting
a jury charge before the first deposition always
helps. It forces us to ask questions in the very
words and concepts jurors use to reach their verdict.
My wife, Kathryn, once got a plant manager whose
employee accidentally shot and killed our client's
wife to admit that ". . . allowing our employee
to carry a weapon was the proximate cause of the
shooting and Mrs. Uribe's death." She had first
taught him the meaning of "proximate cause," then
helped him to make a ruinous admission using the
language he'd just learned. That, and 60 Minutes
asking to put cameras in the courtroom, assured
an extraordinary settlement.
In
the days before trial, streamline your case. Eliminate
witnesses and documents you don't need. Create
a lineup of the witnesses who remain and the evidence
you will put on through each. Your case will only
get better.
Voir
Dire
Settlement
talks have failed. The judge rejects defense counsel's
sixth motion for continuance because America does
not celebrate St. Swithin's day. Finally, the
panel shuffles silently into the courtroom. It
is an awkward moment as you rise to address them,
like a mass blind date. In most large cities,
you don't know them and they don't want to be
there.
"Who
is he to Hecuba or Hecuba to him?" asks Hamlet,
in wonder, about an actor's ability to connect
with a fictional character. Our job is even more
difficult: we don't even get a dress rehearsal.
We have to connect with a group of strangers on
the first day of trial or, in all likelihood,
lose. But what an incredible opportunity. We get
to talk about the essential issues in the case
with the people who will decide it.
If
we are successful, they will be emotionally committed
to our themes and open to our evidence. They will
even rationalize our client's bad behavior. To
accomplish that, jurors have to trust us. Mislead
them about single significant matter and that
trust will be broken beyond repair. Try promising
that a defendant will waive his Fifth Amendment
right and take the stand and then, thinking you've
got the case won, fail to put him on. Criminal
lawyers call these clients "appellants."
The
major purpose of voir dire is to determine juror
attitudes about our themes, so that we can make
informed strikes and challenges for cause. The
most effective way to get the panel talking about
things that matter is to ask open-ended questions,
never attempting to drive them to our conclusions.
Lawyers who ask, "Can you follow the law on fraud?"
and follow up with "I take it by your silence
you can" have learned nothing about the jurors,
except that they are so bored by his voir dire
they won't even answer. On the other hand, if
you give them the chance, panelists will develop
your themes, which you can immediately link to
the facts of your case. That gives you a mini-closing
argument before trial even begins.
If
you want a big verdict, jurors' hearts have to
race when you talk about your case. If they identify
emotionally with your client, they will reward
him and punish his enemies. I recently represented
an investor who sued a developer for defrauding
him out of millions of dollars in an office building
syndication. Fraud may be a powerful concept to
lawyers, but that's all it is to jurors-a concept
so far removed from their everyday lives it will
have no impact. At the heart of every fraud is
a betrayal, however: something everyone has experienced.
Early in my voir dire, I said just that:
At
some point, all of us have been betrayed. Someone
we trusted has stabbed us in the back. Now, I
don't want you to tell me the facts, but will
someone tell me how you felt when that happened
to you, or, to someone you know?
Hands
shot up. Before it was over, a woman told me in
tears how devastated she was when her brother
borrowed $350 to pay some medical bills but gambled
it away. That was our case in microcosm, a perfect
opportunity to link our facts to her betrayal.
I acknowledged there was a world of difference
in the amount of money involved but insisted they
had been treated the same.
Both
were deceived by someone they trusted. In this
case, the defendant promised to use the money
in his office building business. Instead, he spent
millions on jewelry and European trips and even
bought a thoroughbred horse. He stole millions
more paying back personal bank debt. He stole
$2 million the day Ted's company funded the investment.
Almost every penny was lost. You tell me the difference.
Weren't they both betrayed?
The
jury returned a verdict worth $52 million with
interest, a handsome sum even for a Texas plaintiff.
What
sinks many defendants is their predictable litany
of "yeah, buts" and, sometimes, the arrogance
of their attorneys. Being down to earth is a huge
asset. Why do you think David Boies wears those
polyester suits? Because he likes them? (Don't
answer that. I was just trying to make a point.)
In that fraud case, for example, talking to the
venire about the plaintiff assuming the risks
of the marketplace is a waste of time. Instead,
defense counsel should strike an emotional chord:
"Have any of you lost money in an investment?"
"How did you feel when you lost that money?"
"As disappointed as you were, did you hire a contingency
fee lawyer to get it back?" "How do you feel about
someone suing just because they lost some money?"
If jurors decide the plaintiff and his lawyer
are greedy whiners, you will win. Your client
will walk out of the courtroom the same rich cheater
he always was. (Sorry, I may be pro-plaintiff.)
A
few years ago, I tried a case in Bay City, Texas,
in which my client, Westinghouse, was accused
of selling defective nuclear steam generators
to the South Texas Nuclear Power Plant, leaving
its citizens somewhat agitated over the prospect
of a nuclear winter. The plant was the largest
employer and taxpayer in Matagorda County. The
county itself had been recognized in the Wall
Street Journal as the home of the largest
verdicts in the nation-scant comfort to my client.
Prior to sending out jury notices, the sheriff
removed anyone from the list who worked for the
plant, leaving 250 of their closest friends and
relatives to fill the cavernous courtroom.
So
I told the panel I was worried. "The power plant
has sued Westinghouse for $800 million. As you
know, the plant is the largest employer here.
It pays a lot of taxes and supports a lot of activities,
like Little League teams." I turned to a pleasant
looking man in the front row, one of the few who
owned his own business. I asked if he ever worried
about being sued, and he answered, "Yes, everyone
does." I continued. "I want you to assume you
had a business dispute with Westinghouse and they
sued you for millions of dollars-in Pittsburgh,
where the company is headquartered. They have
thousands of employees there. And when it came
time to select a jury, many of the people in the
pool had relatives and friends working for Westinghouse.
How would you feel?" The entire panel was listening.
Westinghouse's general counsel leaned forward.
Unmentionable things were being puckered throughout
the courtroom. The juror smiled. "I'd be scared
to death. I could lose my whole business." With
the help of the venireman, I had used the plaintiff's
greatest strength, the location of the trial,
to increase my own. Men kissing men is generally
frowned on in Texas, and, on occasion, bailiffs
have shot lawyers for less. I moved on.
It
was critical to put a human face on my corporate
client. I had several Westinghouse engineers and
scientists sitting in the row just beyond the
venire. Some of them were coatless, some of them
sported pocket protectors, and most of them looked
scared. Holding a hand mike, I walked through
the swinging door of the bar that separated me
from the jury, down the aisle to where they were
now standing. Putting my hand on the shoulder
of the one closest to me, I explained that not
only were they there at the inception of nuclear
power in our country, but they helped invent it.
Then I had each man introduce himself and talk
briefly about his family and field of expertise.
"These are the men who designed and helped install
much of the equipment in the power plants. They
are very proud of what they have accomplished.
The suit may be against their employer, but they
are the ones accused of fraud."
Turning
back to my friend on the panel, I asked, "How
do you think these guys feel?" Without hesitating,
he said, "They have to be scared." "Why?" "Because
they don't know if they can get a fair trial here."
"Is that fear justified?" He hesitated-these were
his neighbors in the courtroom-but admitted finally,
"I think it might be tough." We now had the next
best thing to our failed motion for change of
venue-potential jurors psychologically committed
to proving that Matagorda County could be fair
to defendants, a quaint if little-honored tradition
in that jurisdiction.
Next,
I walked up the aisle to question a lady in the
middle of the second row. I was looking for a
juror to establish that this lawsuit was at best
premature, a theme that worked in our focus groups.
I chose her because she had four school-age children
and her husband was a working man. That meant
a personal relationship with a washing machine.
"Mrs. Graham," I guessed, "do you have a Maytag?"
She said, "Yes, sir. Thirteen years and it's still
working." I said, "Mrs. Graham, come on down,"
and she joined me in the aisle. "Well, surely
there is something wrong with it by now. Why don't
we get Maytag to give you a new one?" She replied,
"No, sir. Don't want a new one." "Well, how about
some new parts. Surely you can say some of them
need replacing by now." She looked annoyed. "Yes,
sir. Some did. But Maytag done brought me the
parts. And installed them. Works just fine." "Now,
wait. Don't you want to file a lawsuit? I'll get
you some money." She looked offended. "No, sir."
"Mrs. Graham, is there another way of saying why
you don't want to mess with that washing machine?"
"Yes, sir." If it ain't broke, don't fix it."
There it was, our basic theme, stated in a way
that the jurors would remember every day as they
looked at their own appliances.
I
spoke to the entire panel. "What Mrs. Graham has
said is our case. The power plant is performing
so well that this county is now second in the
world in producing electricity." They looked like
I had just announced that Bay City had been selected
to host the summer Olympics. I continued. "When
the plant needed parts to be replaced, Westinghouse
replaced them. Millions of dollars worth. The
generators ain't broke and if they ever do, we'll
fix them." Then, because the trial gods labor
to prove you're an idiot, I added, "Westinghouse
has been around more than a hundred years. The
company's not going anywhere." Nine days later,
Westinghouse bought CBS and promptly disappeared
from the American scene.
Jury
selection is also an exercise in other people's
bigotry. My co-counsel (and fellow author in this
issue), Jim Quinn, is from New York City. How
would he play to this South Texas jury? Deep into
voir dire, a man asked an esoteric question about
nuclear waste. I, of course, had not the slightest
clue what he was talking about. With no warning,
I said, "Jim, why don't you answer that one?"
Then I introduced him. "This is my co-counsel,
Jim Quinn, who, despite being from New York, is
a relatively decent human being. He's going to
try this case, too, so I want you to get to meet
him." I settled in with the panelists, curious
to see if Quinn had Texas-sized anything.
Jim
wriggled the hand mike free and walked around
the lectern, leaning against the plaintiff's counsel
table. After a long moment, he said, "Howdy, y'all.
How ya dune?" Well, buckaroos, they say you could
hear the "yee-haws" all the way to Mount Pleasant.
"Do I sound like a Texan?" he asked, and they
roared. Now, Quinn claims I fake sincerity better
than anyone he has ever known, but folks, that
day he was really on. He immediately told the
heavily Hispanic, predominantly Catholic jury
pool that he had gone to Notre Dame. When he got
to a story about Sister Ignatius, his favorite
high school teacher, even I felt shame for him
because the man obviously had none of his own.
The jury loved him. Of course, he never answered
the man's question. And I never mentioned I also
am a member of the New York Bar.
There
are no bad answers during voir dire. Panels aren't
poisoned, for example, because someone says she
can't give punitive damages. While defense counsel
thinks you are playing into his hands by discussing
her opposition to punitives, you are actually
doing the opposite. You are learning something
that really matters about a potential juror. You
also encourage others to speak more freely about
their feelings. Without rancor, demonstrate how
unreasonable her views are: "Are there no circumstances
under which you could award punitives?" Ask if
anyone disagrees with the answer. You are guaranteed
a healthy debate and a lot of information about
potential jurors. Once we start responding to
extreme positions with aikido-letting people talk
no matter what they say-our strikes really start
to count.
Generally,
answers like the one on punitive damages are followed
up at the bench. This stage is critical: every
successful challenge for cause equals an extra
peremptory strike. Before you move to strike,
commit the panelist unalterably to the disqualifying
opinion. Ask questions that compel your conclusions,
leaving no room for her to be rehabilitated. "Mrs.
Jones, I see you are a schoolteacher. I take it
from that you are a thoughtful person, that you
didn't make up your views about punitive damages
as you walked in the door, just to avoid jury
duty. Is that a fair statement?" She is bound
to agree. Provide a comfort level that allows
her to admit she couldn't be fair-something difficult
for almost anyone to do.
Mrs.
Jones, there are some cases where I should not
serve as a juror, for example, where someone is
accused of child-molesting. Most of us feel that
way. In fairness to the defendant, to the system
itself, I would have to disqualify myself. Having
said that, let me tell you we are going to be
asking for millions of dollars in punitive damages.
You said you did not believe you could give them.
Let me tell you that all of us, especially my
clients, are grateful for your candor. That makes
this process work. But isn't it fair to say this
is not a case you should serve on? That your deeply
held convictions would affect your ability to
deliberate fairly on punitive damages?
Nine
times out of 10, you will have saved a peremptory
strike.
Now
comes the difficult, almost mystical process of
striking jurors. Given the huge stakes involved,
the judge tells you to take 15 minutes. You plead
and get 20, grab an empty jury room, and begin
talking with the trial team about each panelist.
Because they took notes during voir dire-something
you should never do-it is important to solicit
their views. Nonetheless, this is still a "one
riot, one ranger" exercise. You will be cross-examining,
not your colleagues, and certainly not the forensic
psychologist. If you don't want someone they like,
strike him.
Try
to figure out your opponent's strikes; visualize
the likely jury. If you are convinced there are
going to be double strikes, you might want to
change your selections. In rare instances, you
may even decide not to use all your strikes to
avoid reaching higher-number panelists who appear
troublesome. (I have done this once in 32 years.)
Once
the jury is seated, you will have to move on and
forget much of what you said during voir dire.
But the jurors won't forget. The emotions you
stirred will resonate within them throughout the
trial.
Opening
The
best opening statements are simply great closing
arguments in disguise, a thought you probably
should not share with the judge. To get away with
this, begin opening by repeating the judge's instruction
that what you are about to say is not evidence.
That buys you latitude from the court and credibility
with the jury, especially if you add something
like, "If I don't prove the case, it will be your
obligation to pour us out." The first time opposing
counsel objects that you are arguing, the judge
will say, verbatim , "He said this was not evidence.
Sit down. Shut up. He's a handsome devil and I'm
enjoying this."
Done
right, opening can have more impact than summation,
when many jurors have already made up their minds.
Moreover, it is surprisingly cathartic for your
client to hear someone, finally, tell his side
of the story-someone who is speaking without notes,
who believes what she is saying so passionately
that it comes from the heart and not a legal pad.
If
you conducted voir dire, you ought to do opening,
too. You are the one who made promises to the
jury. They look to you to deliver, no one else.
Besides, you have waited a long time for this
opportunity, so take advantage of it. Argue your
case in the words the jury will read in the charge.
Tell them, without apology, how much you want
and why. Do not hold back. If you don't care,
they won't care.
As
the journalists say, don't bury your lead. Come
out smokin'. Don't explain how some esoteric patent
claim was infringed. Tell the jury the defendant
stole your client's invention and made a fortune
with it.
In
the early 1900s, I represented Robert Sakowitz,
scion of a legendary Texas retailing family that
had gone bankrupt during the oil bust. His nephew
sued him for millions of dollars, alleging he
converted family assets and drove the stores into
bankruptcy. The allegations were apparently made
with the blessing of the plaintiff's mother, who
was Robert's sister, and a famous socialite. Despite
the calamity that befell the family business,
the nephew was still rich, his father one of America's
wealthiest men. I pointed to where they were sitting
and said, "I don't know if they filed this suit
for sport or for spite." Turning to the allegation
that Robert secretly pocketed profitable side
deals, I explained that his sister sat on the
Sakowitz board, where each deal was disclosed
and approved. Then I added, "But it's very difficult
to explain anything to someone who won't come
out from under a hair dryer." I repeated variations
on these themes throughout trial. The jury unanimously
poured the nephew out.
To
minimize objections even further, reach an agreement
with opposing counsel prior to trial on the admissibility
of the evidence, and ask the judge to resolve
any disputes. That way, you will be able to use
key exhibits during opening. If the court allows,
personally hand a couple of the exhibits to jurors
during your presentation. Even that minimal physical
contact establishes a bond. If there are bad documents,
explain them and, if possible, embrace them-but
pass those out, too. It tells jurors-the aikido
of opening-that you want them to see even harmful
evidence, an unmistakable sign your case is strong.
There
are almost always bad facts that you need to address;
it is best to do that before the other side does.
For example, on the odd chance your client-say,
a tobacco company-has actually done something
wrong, it may actually have to apologize. Oh,
I don't mean one of those apologies my wife makes
("I'm sorry you're a jerk"), which I figured out
after a few years did not seem entirely sincere.
I mean a real apology, made by the responsible
parties during depositions and reiterated during
opening. That very human act goes a long way toward
defusing juror anger and minimizing damages, if
not eliminating punitives altogether. I recognize
that this is the tightrope thoughtful defense
lawyers dance across all the time: how much can
I say without admitting liability? But in a case
where a liability finding seems certain, there
is little to lose.
Last
year, my son Gabe and I were involved in an invasion
of privacy case, arguing for the plaintiff before
a focus group. Gabe focused on the failure of
a televison producer to obtain consent from the
plaintiff to televise a show shot at the scene
of her automobile accident-while she laid pinned
under a car. Paralyzed by the crash, she learned
of the show by watching it in her hospital room
when it aired months later. The producer could
have called her, but didn't. His indifference
would turn any jury into a lynch mob, especially
with a media defendant. When the jurors learned
that consent was not legally required under these
circumstances, they determined they would "make
new law" by awarding substantial punitive damages.
In
this situation, an apology not only soothes the
savage juror, it provides cover for attacking
the plaintiff's very sympathetic case. In fact,
she did have a problem. On the day the show aired,
she wrote her niece, "Your aunt is a celebrity."
Obviously, the letter undermined her mental-anguish
claim. Arguing for the plaintiff in the focus
group, I embraced the quote, saying she merely
intended to shield her niece from her own pain
at seeing the show. That defused the defense's
strongest argument; the focus-group jurors never
mentioned the letter during deliberations. The
case settled before trial.
There
is always common ground between some of the jurors
and the client, something that allows them to
identify with our case. Five of our jurors in
that fraud case against the office developer were
incredibly young. One of our remedies was to pierce
the corporate veil of TALC Corporation, which
the defendants owned and operated like a private
candy store, ripping off my client's investment.
Moreover, the plaintiffs already had a $35 million
judgment against TALC. How to persuade five jurors
between 18 and 24 to pierce something other than
their tongues? I wrote: TALC "a"
US on butcher paper. That stuck and we won.
Remember,
all this information, which you know so well,
is new to the jury. Don't overload them. Help
then follow you. Opening should be thematic, way
above the trees. Time lines are essential but
should be simple, covering only critical dates.
Graphics should be like billboards, summarizing
the case in a memorable way. Even crudely or inexpensively
built models can be powerful tools, allowing witnesses
to step down from the stand, act as teachers,
and, if they do it right, captivate the jury.
Direct
Examination
At
the end of opening, you should be light years
ahead, the case all but over. Except for one little
fact. You no longer get to tell the story-now
your client does. Direct examination is not one
of those Kahlil Gibran "letting go" moments. Remember:
it was the client's brain that got him into the
jam. It will be yours that gets him out.
Even
so, the lawyer should all but disappear during
direct, guiding the witness with simple questions
like "What happened next?" and "Why did you reach
that conclusion?" That avoids the lethal conclusion
that it is the lawyer, not the witness, testifying.
It weakens the witness's credibility when the
attorney suggests rather than questions. Asking
"Didn't the doctor fail to warn you about the
dangers of laparoscopic surgery?" is a mistake.
Jurors will wonder why the plaintiff had to be
reminded of the very reason she is in court.
Of
course, this does not mean simply throwing the
client on the stand to tell the story. All witnesses-especially
clients-need some pretty serious advice about
testifying. See Berg, "Preparing Witnesses,"
Vol. 13, No. 2 Litigation at 13 (Winter 1987).
Find a deserted courtroom, and ask your client
to sit on the stand. Talk him through direct but
never so much that the spontaneity is gone. Tell
him to turn to the jury to answer only when he
wants to emphasize something, when it is truly
important. Make him understand that when you pass
him, his demeanor cannot change. If he suddenly
becomes surly or evasive with opposing counsel,
the jury will turn against him. He has
to answer each question with a polite "yes," "no,"
or "I don't know" before explaining anything.
That does not mean being passive. He can insist
on the truth of his direct and point out serious
errors in questions. He can occasionally ask to
explain an answer, a tactic that is especially
effective when counsel won't let him. Nonetheless,
there is a delicate balance. The human mind needs
to hear a direct answer first. Reverse the order,
and he will sound like he's evasive or, worse,
dishonest.
Aikido
works wonders for witnesses, too. If your client
stays under opposing counsel emotionally-playing
bemused parent to the angry lawyer-child-jurors
love it. But if he loses his temper, he probably
will lose his case. Suggest which jurors he needs
to reach, and how to shape answers that will appeal
to their common ground. Remind him not to play
to this wife and children in the gallery. It is
the jury that will decide the case, not them.
He has to be comfortable that you know the case
cold, that if he gives a bad answer or gets cut
off, you will fix it on redirect. This advice
should keep him from prolonged argument with opposing
counsel, a deadly game at best.
The
first witness the plaintiff puts on should be
the one with the broadest knowledge of the case,
often an expert. By the end of direct, the jury
should know why the client is there, how he was
hurt, by whom, how much money he's owed, and why.
Conversely, defense lawyers have to destroy the
first witness in most cases. By the time she steps
down, the jury should believe that her claims
are frivolous and/or the damages are wildly exaggerated.
Failing that, kiss your application to the International
Academy of Trial Lawyers goodbye.
One
way to create a seamless transition from opening
to the first witness is to listen carefully to
your opponent's opening and seize on any serious
mistakes. In 1996, I represented Samsung in a
case against Texas Instruments, alleging that
TI had breached a royalty-related agreement. TI's
lawyer, fresh from back-to-back trials, was not
ready. His opening statement, while well delivered,
was riddled with mistakes. The most damaging claim
he made was that Samsung, along with several Japanese
manufacturers, had been sued by the Justice Department
in 1986 for "dumping" memory chips on the U.S.
market. I didn't know what "dumping" was, but
it didn't sound very good. The next morning, Samsung's
chief patent counsel took the stand. I went over
each mistake, starting with the worst one. "Was
Samsung ever sued for dumping, Mr. Donahoe?" I
asked. "No, sir, we didn't begin manufacturing
chips until a year after that suit was filed."
I continued, "Now, why do you suspect that lawyer
wanted to lump Samsung in with a bunch of Japanese
companies?" Counsel objected vigorously that the
question called for speculation about his motives,
ending, of course, any speculation about his motives.
The
first person who testifies is not always the most
persuasive. The most powerful witness I ever put
on the stand was Ann Sakowitz, Robert's mother,
and she appeared last. Her testimony was so singular
that Mike Tigar included a synopsis of it in his
book Examining Witnesses. She demonstrated
there are things we cannot teach, intangibles
that touch jurors deeply if we just let witnesses
be themselves.
It
was in her kitchen, over meatloaf she made for
us, that I learned about Ann's remarkable life.
The lawsuit forced her to make a kind of Sophie's
Choice. Ann loved both her children deeply,
but her daughter made the lawsuit possible by
transferring her heirship rights to her son (Ann's
grandson), the plaintiff. The publicity and expense
devastated Robert.
Ann
sat next to her son and his wife until after opening
argument, when the plaintiff's lawyer invoked
the Rule, excusing her from the courtroom. When
she finally walked back in to testify two weeks
later, the silence was palpable. I slid a chair
between Ann and the plaintiff's table and sat
down, unconsciously protecting her from them.
Her
testimony was riveting. Ann let the jurors into
her world, where they discovered a very human
being. She insisted that she and her late husband,
Bernard, wanted Robert to invest outside their
family business, that they encouraged the so-called
side deals. "Bernard felt we had run a huge risk,
putting all our eggs in one basket-the stores,"
she said and added with a sly grin, "I guess we
were right about that." The jury was smiling,
too; Sakowitz Bros. had been in bankruptcy for
four years. "We wanted Bob to have more security
than that. After all, our daughter was already
fixed for life," a welcome reminder of the wealth
of the plaintiff's family. Ann explained that
she also served on the Sakowitz board and, along
with her daughter and other members, approved
each of Robert's "secret" deals. "She was just
too distracted to pay attention," she said, adding
sadly, "I love my daughter, but she has sold out
for money and fame."
Cross
was a disaster for my talented opponent, but one
exchange resonates today-a valuable lesson about
the natural-born witness. Opposing counsel wanted
Ann to admit that she needed money to live-and
that it was Robert's fault. He asked her first
to acknowledge that her daughter and son-in-law
gave her $10,000 apiece the previous year. "Yes,"
she replied. Then, before he could ask another
question, she turned to the jury and added, confidentially,
"I used it all for legal fees." The lawyer kept
going. "You need money to live now, don't you?"
She answered matter-of-factly, "Things are not
like they once were." Next, he had her acknowledge
that she owned a large ranch in East Texas. "Robert
won't let you sell it, will he? He wants to inherit
it." Ann looked stunned. The lawyer persisted,
"Robert blocked you from selling it, didn't he?"
She turned toward the jury again, tears streaming
down her cheeks, answering almost inaudibly, "No,
I won't sell it. It's all I have left of
my husband." There was no reason for redirect.
After the jury exonerated Robert, they spent an
hour trying to figure out how to make the plaintiff,
Ann's grandson, pay her living expenses. She was
not even a party to the case.
Not
all witnesses are naturals. In the Westinghouse
case, I put on a distinguished physicist, a member
of the National Academy of Sciences. He was intellectual
and cranky; for added measure, he hated lawyers.
But for a lucky break, his direct would have sounded
like cross. When he told the jury he studied physics
at Princeton in the early fifties, I remembered
something. "Doctor, wasn't Albert Einstein there
then?" His eyes lit up. "Yes. I met him once.
A group of us, all physics students, went to his
house one Sunday. His housekeeper let us in. We
spent all morning around his kitchen table, eating
bagels and talking about the theory of relativity."
The jury saw the crusty old scientist as an engaging
young man, awed by Einstein. When I asked him
to step down to the model of the plant to testify,
they were ready to listen.
Cross-Examination
Cross-examination
is an anecdotal and inexact art, predicated as
it is on discovering the truth from human beings.
It is the hardest thing we do. Yet, mastering
cross is essential to winning lawsuits consistently,
including some we deserve to lose. One of the
best ways to learn is by watching others.
Once,
in the early 1980s, I sat down after cross-examining
a witness in a RICO prosecution. Racehorse Haynes,
who represented a co-defendant, followed me. His
questions and the witness's answers quickly assumed
a resonance one associates most often with great
music. Haynes enticed him into a rhythm and, before
you knew it, destroyed him. That night, I asked
Haynes what I had done wrong. Generous as usual,
he said that I had done fine. But I persisted.
Finally, he drew on his pipe and said, "You weren't
listening to the answers." (Of course, what I
heard was, "What a loser. Get into welding while
there's still time.") He told me the witness had
admitted under my questioning that he disregarded
certain Coast Guard rules-the case involved shipbuilders-yet
he criticized our clients' failure to follow some
of the same regulations. I had no idea the witness
had said that.
As
I thought about it that sleepless night, I realized
that the deeper I got into cross, the less I listened,
sometimes afraid of the answer. The next time
up, I actually focused on what the witness said,
not what I wanted to ask next. Each answer was
a springboard to another question. I will never
forget how powerful that felt.
There
are rules common to all cross, yet none are set
in stone. For ease of reference, I have numbered
some below. They provide a broad framework within
which to analyze and improve our skills. They
teach us to control the witness-the goal of each
cross-examination-so that the witness never controls
us. See Berg, "Blind Cross-Examination," Vol.
17, No. 1 Litigation at 12 (Fall 1990); Berg,
"Secrets of Cross-Examination," Vol. 20, No. 3
Litigation at 6 (Spring 1994). Once you master
these-once they become a part of you-infuse the
rules with your self. If you are funny,
be funny. If you are smart, be smart. If you are
neither, consider the judiciary.
Keep
a calm mind-and listen. Psychologists did a study
of some of baseball's greatest hitters. DiMaggio,
Mays, Mantle: all of them kept a "calm mind,"
reading the seams, waiting until the ball was
on top of them to swing. So, too, we should keep
a calm mind, reading the seams of the testimony,
listening to each word the witness speaks. It
is the ultimate rule of trial by aikido.
Learn
more about the subject than anyone in the courtroom.
That includes the expert who testifies for your
opponent. The more you know, the calmer your mind.
Do
not ask open-ended questions. Compel "yes," "no,"
or "I don't know" answers. Do not ask questions
beginning with "why" or "how." That invites speeches.
If
the right situation presents itself, disregard
the previous rule. Assume an expert doctor admits
a certain blood test would have been helpful under
the circumstances of your case. If the defendant
doctor did not perform the test, ask, "Why would
it have been helpful?" The answer can only help.
Formulate
follow-up questions. Sit at your computer. Write
the questions you will ask if the response is
"yes," "no," or "I don't know." That way, you
will seldom be surprised on cross. Do this a few
times, and you will even anticipate unresponsive
answers; there is a limited universe of nonsense.
Take
advantage of confused, implausible, or unresponsive
answers. Testimony volunteered or invented under
the pressure of cross is often absurd or worse,
allowing you to demonstrate on the spot that the
witness is evasive or lying.
Never
laminate your cross. Set aside your computer notes.
The questions are inside you.
If
you represent the plaintiff, call the defendants
and most of their key witnesses to testify during
your case. That forces the bad guys to tell their
story while being cross-examined, not unlike giving
a speech in a wind tunnel. (Defense lawyers know
this is coming. Their witnesses should be spring-loaded
to disrupt the plaintiff's story by telling their
own.)
Do
not forget the jury. Ask questions that include
them in your anger or dismay: "Mr. Witness, do
you really mean to tell us . . .?" Look at the
jury as you ask, never turning away until you
have your answer. It is a powerful way to deepen
your bond. But do not overdo it. Remember, not
everyone actually turns out to be an ax murderer.
Watch the witness and watch the jury watching
her. Bring them along. They have to know the reason
for your emotions before you "get medieval."
Don't
just impeach the witness, gore him. If you use
a deposition, first describe what it is: "You
took an oath, just like in this courtroom?" "You
were warned about perjury?" Always read the prior
inconsistent statement yourself-never let the
witness. His inflection and volume may destroy
the moment. Make the contradiction clear to the
jury. The last thing you want is for the judge
to sustain an objection that what you did was
not really impeachment.
Be
opportunistic. Pounce on new themes during cross.
The plant manager was the first witness in the
Westinghouse case. He testified there had been
so many problems that "we no longer do steam generator
business with Westinghouse." I could not believe
it. Not only was there a written agreement between
the parties excluding any evidence of business
done between them since the filing of the suit,
but the judge had granted their motion in limine
enforcing the ban. They'd opened the door. "Mr.
Johnson," I asked, "you didn't really mean to
imply the power plant does not do any business
with Westinghouse, did you?" Plaintiff's counsel
objected, in front of the jury, "Wait a minute,
Mr. Berg, we have a written agreement you won't
go into that." The judge invoked the goose and
gander rule. I handed the document to the witness.
"Show me where that agreement allows you to mislead
this jury." Then, I added, "In fact, the power
plant has bought more than $100 million in goods
and services from Westinghouse since the suit
was filed, hasn't it?" The plaintiff scrambled
to clean it up, but it only got worse. The testimony
enabled us to build a compelling theme, one that
works in any suit with a comparable situation.
You do not continue to do business with someone
you claim cheated you-at least, not if they really
did. Incidentally, the case ended in a confidential
settlement after five months of trial.
Infuse
your cross with argument. It is not enough to
ask the engineer of the train to acknowledge he
struck your client as she crossed the intersection.
Make it vivid. "Isn't it a fact that as you came
barreling out from behind that half-mile of illegally
parked tank cars, when you were finally able to
see Sharon Lemon, it was too late to avoid killing
her?"
Ask
questions opposing counsel should have asked but
didn't. This requires a certain testosterone level,
regardless of gender. In the selfsame power plant
trial (yes, I have at least two other clients
if you include my sister's traffic tickets), the
plaintiff called a former Westinghouse power-plant
salesman. He had not been deposed. To my surprise,
counsel never asked him a single question about
their central allegation, that our salespeople
misrepresented the useful life of the steam generators.
Was it a trap? I asked the witness, who had worked
at Westinghouse for years, to agree that he had
never been told to misrepresent anything about
power-plant products. He agreed. Resume pulmonary
function.
Cross-examine
the whole person. It is one thing to impeach when
we have hard evidence. It is quite another when
we have nothing but the best of intentions and
Ban Roll-On. Blind cross demands that we be our
most creative in the courtroom-and a witness's
personal history frequently provides a gold mine.
In a recent racial discrimination case, the owner
of a collection agency that does more than $1
billion a year in government contracts testified
he had neither read his company's hiring policies
nor been consulted by his employees about them.
With $1 billion a year in government business,
you'd think he'd know a little something about
EEOC regulations, but he also claimed he'd never
discussed minority hiring policies with government
agencies. So, I began to develop the incongruity
of it all, starting with the fact that he was
the company's founder and sole shareholder. He
admitted bringing in the government business.
He told me that he and his executives devised
a plan under which all U.S. agencies sent their
collectibles, like student loans, to the Treasury
Department, where his company peeled off a healthy
percentage of the business. He admitted attending
regular Monday morning planning meetings with
his regional vice presidents, missing only one
in 10 years. Given that level of involvement,
his answers made no sense. There was only one
thing left to do.
When
testimony is incredible, go with lies. This guy
was obviously over-coached, something I used to
think was a bad thing. I asked if he ever discussed
race during those meetings. Note, I did not say
"racial policies," but "race." He answered "Never."
You'd think maybe Nelson Mandela or Rodney King
or even Puff Daddy might have come up during the
past 30 years, but I could be wrong. Once a witness
weds himself to the party line, it gets easier
and easier for him to lie. So I asked Mr. Detachment
if he thought the EEOC considered African Americans
minorities. He smiled benignly into the camera
and said, "I have no idea." It was time for my
final question. I would have bet money on the
answer. "You have never had an African-American
executive in your company. Your secretary makes
more money than your highest paid black employee,
some are college educated and have been there
years longer than she." This seemed a fine time
for an open-ended question. "Why?" He didn't hesitate.
"We can't find any qualified blacks," he said.
That was enough. It was not difficult to imagine
12 of his peers climbing out of a jury box to
kill him. I closed my briefcase and left.
Testify
your ownself. In 1974, I represented Jim Bob,
a two-time ex-con who faced a life sentence if
convicted of the hand-to-hand sale of methamphetamine
to an undercover agent. He was concerned the state's
20-year offer would impinge on certain of his
social commitments, so we went to trial. The agent
testified Jim Bob handed him a cigarette pack
filled with meth. Given that there was no one
on earth willing to testify for me, I swore my
ownself in. "A regular cellophane-wrapped cigarette
package?" I asked. He said, "Yes." "Where is it?"
I demanded. The agent replied, "The lab threw
it away when they tested the meth. But not until
I initialed this envelope I poured it in. Of course,
you know it tested positive." I knew that. Didn't
he know I knew that? Nonetheless, my voice rose,
shocked at the revelation, "The lab threw it away?"
He responded again, wearily, "Of course they did.
I've got the meth. I poured it into this envelope.
I initialed it and dated it. It tested positive."
I thought, "You're just doing victory laps," but
instead asked, "Then I take it you never tested
the cellophane or the pack for Jim Bob's fingerprints?"
As if it really mattered. He responded again,
wearily, "Of course not. I've got the meth. It
tested positive." The jury hung 8 to 4 for acquittal,
and the case was later dismissed. Around Christmastime,
I answered the doorbell. It was Jim Bob, holding
an oddly wrapped package. "It's a cashmere sweater,"
he explained, "I boosted it for you at Neiman's."
Neiman's, indeed-exquisite taste at just the right
price. "Jim Bob, I just couldn't," I demurred
and closed my door on the undeniably touching
moment. "Boosted," by the way, does not mean redeeming
your Neiman Marcus Inner Circle points.
Closing
Argument
In
1979, the chief justice of the Texas Supreme Court
wrote an opinion affirming not only a verdict
but our tradition of zealous advocacy as well.
The issue was a particularly vitriolic closing
argument in a personal injury case, including
the assertion that the plaintiff drove by a "thousand
[legitimate] doctors between the Astrodome and
Spring Branch," clear across town, to get to the
quack who testified. Justice Pope wrote, "Hyperbole
has long been one of the figurative techniques
of oral advocacy. Such arguments are part of our
legal heritage and language. . . . In The Tempest,
Shakespeare wrote 'Now would I give a thousand
furlongs of sea for an acre of barren ground';
... in Hamlet, 'To be honest, as this world
goes, is to be one man picked out of ten thousand.'"
All
of which is to say, let fly. There is little you
can do to create reversible error. There is much
you can do to win.
The
first words you utter should summarize your case,
appealing to the broadest number of jurors in
the most compelling way.
I
told you this case was about greed. About how
the defendant cheated his partners. But as the
case has gone on, I realized it is about much
more. It affects each and every one of us who
has a pension plan or an IRA or who invests at
all. When we put our hard-earned money into an
investment, we need to be able to trust that we
have been told the whole story, that we are not
being misled and lied to. Too many things, like
our children's college and our retirement, can
be destroyed. Just ask my clients, Fred and Janet.
Use
language right out of the jury charge. If you
talk in the same terms the judge will use when
he reads the instructions, the jurors need make
only a slight leap to fill in the blanks exactly
as you want.
If
there are seven liability questions and two on
damages, write one through nine down the left
side of some butcher paper, with a blank to the
right of each. "In Question 1, you are asked if
there was a breach of fiduciary duty. Let me give
you a road map through the evidence. Just look
at exhibits 9, 16, and 27 through 31. They prove
. . . ." Remind them of the testimony that supports
the claim. Then, fill in the blank with a "yes"
and repeat the drill for each liability question.
When
you come to damages, do the math step by step,
so they can see how you arrived at the total.
Fill in the blanks using a red marker so the number
will stick in their minds. Suggest they take in
hand-held calculators. I know I said jurors can
understand your case. I never said they were good
at math.
Arm
your friends. Anticipate opposing counsel's strongest
points, especially the ones that will come up
during deliberations.
It
is natural for someone on this panel to say that
the plaintiffs are all wealthy, that they can
take a financial hit. I understand on a gut level
why someone would say that, but that is not the
law. If it comes up, someone among you must have
the courage to respond immediately, to say, "That
has nothing to do with this case. It has nothing
to do with justice. The judge says right here,
on the last page of the instructions, that we
cannot decide this case on emotion or bias, only
on the evidence." And I hope that will be the
end of it.
Disarm
your enemies. If the trial has lasted more than
a few days, you probably have a good idea how
the jurors are leaning. It is time to review the
juror information sheet again, searching for common
ground.
I
once had a quality-control person on the jury
in a medical malpractice case; her job required
her to keep meticulous records of employee drug
testing. At the close of evidence, she appeared
to be against us. I pitched part of my argument
to her, arguing that the defendant doctor purposely
kept sloppy medical records.
He
wants you to think this is business as usual,
to throw up your hands and say, "I can't read
the records. I'll just have to take his word for
it, that he diagnosed the tumor on time." Well,
folks, that's not business as usual. You'd lose
your job if you kept your records that way.
We
won, but just barely. The quality-control woman
became the foreperson, forging a compromise verdict
that kept the jury from pouring us out. I never
found out if closing argument changed her mind
or if she was with us all along. In either event,
it makes good sense to fashion arguments to fit
critical jurors.
If
possible, nominate your favorite juror to be foreperson.
For example, you can comment that the jury has,
collectively, "more than 500 years of experience,
27 children, and 12 different jobs. There is even
a lay minister serving with you." Singling him
out with a passing reference may be enough to
get him elected. It really helps if you started
this process during voir dire, asking a couple
of your favorite potential jurors if they would
serve as foreperson if nominated by their peers.
Jurors
get much of their information from television,
making videotaped deposition excerpts especially
effective. Several years ago, Vinson Elkins managing
partner Harry Reasoner tried an antitrust case
against several railroads. Predictably, their
executives had adopted a "me no Alamo" or "I don't
remember nothin'" defense. Harry played a spliced
tape of their offending answers, a 20-minute fugal
chorus of "I don't know" and "I can't remember."
It was painful to watch, like those tobacco executives
denying before Congress that cigarettes are addictive.
It achieved every plaintiff's goal: it sent the
jurors out filled with anger. They returned a
verdict of more than $300 million.
There
have been many great ideas for unusual closing
arguments over the years. Haynes always wanted
to do one with musical accompaniment, so he argued
a murder case in Oklahoma with co-counsel Pat
Williams mournfully playing "Momma, Don't Let
Your Babies Grow Up to Be Cowboys" on the harmonica.
Jerry Spence urges that we become part of a psychodrama,
that we become the object at issue. "I am an MRI.
I am the most advanced, high-tech imaging equipment
there is, so, Doc, read my scan. The tumor is
right there, in the meninges. Wait a minute, Doc.
Don't say that. Of course, there's a tumor. How
can you miss it?" I'm not certain, but I think
this practice is restricted to southern California.
Closing
argument can also be about other people's bigotry.
In Sakowitz, opposing counsel told the jury he
was a frustrated Baptist minister, not a bad overture
to a Bible Belt jury. Nonetheless, buckaroos,
he seriously underestimated an Old Testament lawyer
with a New Testament wife. "I'm obviously not
a frustrated Baptist preacher," I responded, looking
directly at the lay minister on our jury, "but
I know what the Good Book says about people like
the plaintiff. 'It is easier for a camel to go
through the eye of a needle, than for a rich man
to enter into the kingdom of God.'" The courtroom
was silent, but I am certain I heard my late grandmother
asking my late grandfather if I had actually quoted
the Book of Matthew, threatening never to speak
to me again, which, as you might guess, was a
somewhat idle threat, given their current circumstance.
I'm
not saying it is a bad thing to appeal to jurors'
biases, only that if you do it, it better work.
Pointing to Sakowitz's nephew, seated with his
family, I concluded my argument, "Let me tell
you about these people." I said, "They have entreé,
they have power, they have money. No one ever
says 'no' to them. At least not until now. You
can do it. You can say 'no' to them for the first
time." This invitation is irresistible to people
who have been watching at the window all their
lives.
Finally,
it always pays to save something for closing,
something you have seen that the rest of us may
have missed. I recently second-chaired a two-day
misdemeanor DWI trial. My oldest son, Geoff, was
lead counsel. At the end of the first day, I told
my wife that it was unwinnable. Just before closing
argument, I challenged Geoff, asking him where
the reasonable doubt was. He sniffed, "Where isn't
it?" He argued that the client should never have
been pulled over, much less charged. "Well, Geoff,"
I wondered, "should he have been given an Award
of Merit for Driving Through the DWI Checkpoint?"
He had an answer for that, too. "The officer admitted
he signaled Donny with a flashlight to pull over
through four lanes of busy traffic. You know that
intersection on Saturday night. There is no way
he could have seen a flashlight."
Geoff
reminded the jury that Donny had not sped away,
did not swerve between lanes, and pulled over
four blocks away, as soon as he realized the officer
wanted him to stop. Most important, he repeated
the officer's testimony that he had turned off
his flashing lights before he got out of his patrol
car, something he said he never did until he made
the decision to give a field sobriety test. It
seems the flashing lights interfere with the results
of the eye examination.
When
the lights go off, the field tests begin-a decision
the officer made before he ever got out of his
patrol car, without having said one word to Donny.
In other words, with no evidence except that Donny
drove away from the checkpoint, the officer was
going to test him, and he was going to fail him.
And that's exactly what happened.
The
jury returned a not guilty verdict. They bought
Geoff's close, especially the significance of
turning off the lights. My pride was diminished
only by the fear that he would ask for a raise.
Learning
to Win
When
the jury retires, you want your clients to be
able to say, "No matter how this comes out, I
know you did everything you could for my case."
More important, you want it to be true. Nonetheless,
if you lose, there is little comfort in the compliment
or consolation because you didn't make the facts.
We write our history from our last verdict forward.
The object of the exercise is to win.
Pablo
Neruda, the Nobel Laureate, wrote that poetry
came for him when he was eight, a touching way
to describe when his craft began to consume him.
So, too, trying lawsuits comes for us-invading
our thoughts, teaching us our ancient craft-when
we are not even aware we are learning. I think
about that now when I watch the ocean, my top-water
lure skimming across the waves, with the hook,
barbs clamped down, hidden in the sea below. '
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